Digital Transgender Archive

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  1. The Tartan Skirt: The Scottish Magazine for the Gender Community No. 16 (October 1995)

     
    Collection: The Tartan Skirt
    Institution: Joseph A. Labadie Collection, University of Michigan
    Creator: Forrester, Anne
    Date: Oct. 1995
    Topics: Acceptance, Birth certificate amendments, Books, Change of name, Children of transgender people, Coming out, Courts, Crossdressers, Crossdressing, Employment discrimination, Femininities, FtMs, Gender diversity, Gender dysphoria, Gender identity, Gender minorities, Gender realignment surgery, Help lines, Hormones, LGBTQ+ parents, LGBTQ+ relationships, MtFs, Neovagina, Organisations, Physicians, Self-help, Shame, Stigmatisation, Suicide, Support groups, Therapies, Transgender community, Transgender people, Transitioning (Gender), Transsexual people, Work situation
    Subject: A Self-Made Man: The Diary of a Man Born in a Woman's Body, Diane Dahl, International Foundation for Gender Education (IFGE), Jan Eder, Lady Colin Campbell, The Developmental Stages of Transsexuality, The Gender Booklist, What Took You So Long? A Girl's Journey to Manhood, Zelda Suplee
  2. THE WIFE OF A WOMAN

     
    Collection: Newspaper and Periodical Clippings (Pre 1900)
    Institution: Digital Transgender Archive
    Creator:
    Date: Jan. 2, 1892
    Topics: LGBTQ+ relationships, Male impersonators, Performance art
    Subject: Annie Hindle, Annie Ryan, Buffalo Evening News, Charles Hindle, Charles Vivian, Ella Wesner, Maggie Weston
    Description: A clipping from the "Buffalo Evening News" titled: "THE WIFE OF A WOMAN," discussing the relationship between Annie Hindel and Annie Ryan. This item was contributed to the DTA by Hugh Ryan.
  3. The Wife Turned Good-Man

     
    Collection: Art Works
    Institution: Yale University Libraries
    Creator:
    Date: 1770?
    Topics: Ballads, Farmers, Gender diversity, Gender role, LGBTQ+ poetry, LGBTQ+ relationships, Marriage, Wood-engraving
    Description: In four columns with the title and two woodcuts above the first two; there are dividing ornamental rules between the first and second as well as between the third and fourth columns.